Showing posts with label museum of biblical art. Show all posts
Showing posts with label museum of biblical art. Show all posts

Wednesday, August 1, 2012

A Small Spectacular: Bartolo di Fredi and Other Sienese Artists at the Museum of Biblical Art. Exclusive Photos Here, Article at Observer.com

Franceso di Vannuccio, Crucifix ca. 1370

It's the must-see yet unsung show of the summer -- a tightly focused exhibit of 14th-century Sienese altarpieces -- and it's at one of Manhattan's under-visited jewel-box spaces, the Museum of Biblical Art on Broadway near Lincoln Center.

Naddo Ceccarelli, Madonna and Child with Saints, mid-14th c.
The exhibit, with only seven works, is stunning in its simplicity and beautifully conceived, and it shows off one of this museum's strengths -- displaying art that is either new to the viewer or placed in a context that makes it seem new.

For this show, the museum is emphasizing an uninterrupted viewing experience.  "We didn't want a lot of text on the wall where people are reading instead of looking," said acting executive director Patricia Pongracz, so MOBIA, as the museum is known, provides a free take-it-home handout that identifies the figures in each work and includes the religious text it is based on.


Bartolo di Fredi, Adoration of the Magi, ca 1385, detail
Bartolo's altarpiece demonstrates something that is often overlooked in narrative religious imagery -- telling a story to people who don't know how to read.  The artist, for the first time, depicted with the Adoration four narratives of the kings' journey across the upper part of the painting.


Installation view
MOBIA, which opened in 2005, has a steady trickle of only 15,000 to 17,000 visitors a year. 

Become one of them.  The exhibition is free. 

Read more about the difficult-to-obtain loan from Siena -- which involves antiquities smuggling -- and about the exhibition and museum in my article in today's New York Observer, here.

Bartolo, Adoration of the Magi, detail of Siena's cathedral behind medieval walls

Bartolo, Adoration of Magi, detail of kings and Joseph



Bartolo, Adoration of the Magi, from the Pinacoteca Nazional, Siena

Ceccarelli, Madonna and Child with Saints, detail
"Bartolo di Fredi, The Adoration of the Magi: A Masterpiece Reconstructed," Museum of Biblical Art, Broadway at 61st Street, through September 9

Text and photos (c) Copyright 2012 Laura Gilbert

Tuesday, April 26, 2011

Strange Bedfellows: PBS Culture Mafia, "Christian Right," and Former Met Kingpin at Upcoming Museum of Biblical Art Gala

Not that there's anything wrong with lending your prestige to an entity that hasn't filed tax returns for the last two years, is controlled by the seemingly right-wing American Bible Society, and whose chair, Roberta Ahmanson, is half of an Evangelical power couple who continues to deny, sort of, that she advocates an official American theocracy.

That's what PBS luminary Bill Moyers (right) and former Met director Philippe de Montebello (below left) will be doing come May 2, when they'll preside as the honorary co-chairs of a fundraising bash for said entity, the Museum of Biblical Art in Manhattan.

Moyers, one sometimes forgets, has a master's of divinity degree, and he's hosted several television programs on religion.  De Montebello, of course, headed up a museum that has boatloads of Christian biblical art.

Besides, they both have a professional relationship with the gala's honoree, William F. Baker (below right), former president and now president emeritus of WNET, New York's PBS television station, which hosts de Montebello's Sunday arts program and has aired various incarnations of Moyers' programs.

MoBIA is honoring Baker with its first Visionary Award for "his creative leadership in the world of art and religion."  He produced the PBS film "The Face:  Jesus in Art" and its follow-up, "Picturing Mary."

He's also one of MoBIA's founding and current trustees, a board membership conspicuously absent from his lengthy bio on WNET's website.

Some facts to chew on when these culture hotshots rustle up the bucks for MoBIA next week:

Although a separate organization, MoBIA is really an arm of the American Bible Society, whose mission, to quote its tax filings, is "to make the (Christian) Bible available to every person in a language and format each can understand and afford, so all people may experience its life-changing message."  In those same filings, the American Bible Society identifies MoBIA as a "controlled entity," meaning that the Society either has the power to appoint the majority of MoBIA's trustees or the Society's own employees or trustees are a majority.

According to MoBIA's latest tax filing (for fiscal year ended June 30, 2008), the two organizations share a key employee, Peter F. Rathbun, the Society's general counsel and a founding trustee of MoBIA.

Rathbun's also president of the Christian Legal Society.  Its first objective is "to proclaim Jesus as Lord through all that we do in the field of law and other disciplines."

The American Bible Society gives MoBIA substantial ongoing financing.  According to MoBIA's most recent filing, the Society provided $1.3 million of MoBIA's $1.8 million in revenues.  In its last filing (for fiscal year 2010), the Society's return lists $1.6 million in financial support and in-kind services.

And then there are Howard and Roberta Ahmanson, who have been dogged by their support -- now somewhat tempered -- for the reviled Christian Reconstructionist R.J. Rushdoony, who advocated the imposition of Christian law and the stoning to death of homosexuals.

Roberta Ahmanson is MoBIA's current chair.

The Ahmansons are also, as quoted in a recent Christianity Today feature, the self-described "single largest supporter" of the "Intelligent Design" movement, "and have been from the beginning."

According to the Chronicle of Philanthropy, the Ahmansons gave MoBIA $1.2 million in 2009 -- somewhat less than the $1.395 million they donated, according to the San Francisco Chronicle, through their company Fieldstead to the passage of California's anti-gay-marriage Proposition 8.  MoBIA's website acknowledges their continuing support.

If you don't like the sound of this but still want to see MoBIA's art exhibits, some of which are very good indeed, admission is pay what you wish, perhaps because it gets funds from New York City via City Council grants and the Department of Cultural Affairs.  DCA's website shows an award of $98,400 for fiscal 2011.

In the meantime, maybe Moyers or de Montebello can goose MoBIA into filing its 2009 and 2010 tax returns.

Photos have been pulled from the internet.